In ‘Dance People Dance’, Penthouse Plants combine catchy synth pop with dark undertones and strong vocals.
PositionFounder
JoinedNovember 15th, 2010
Articles5,095
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I am the founder and main author of the international synth pop magazine Electrozombies, which was founded in 2010 as a niché music video blog for synth pop and genre-related music. Since my childhood I have been a devotee of melancholic, gloomy electronic music. Started in the late 70s with minimal electro band Kraftwerk and become a real synth pop fan through Depeche Mode's hit 'People Are People' in 1984.
With my knowledge being in the synth pop scene since the early 80s, I write and publish all about this music genre to keep the scene alive and to develop it further. Read all details here: The story behind the origin of Electrozombies.
Official music video "Let This Moment Never End" performed by "Alienare" taken from the EP "Mea Culpa".
Official music video "True Sacrifice" performed by "Meldamor" taken from the same-titled album "True Sacrifice".
Official music video "My Tears Will Fall" performed by "Fictional" taken from the album "Some Great Constructions".
Dark synth pop meets electro-rock: Talk To Her show a restless search for escape and desire with PLD.
Gentle and emotional: Mutual Shock show their soft synth pop side with ‘Punishment Enough’.
In ‘Ivy’, Apnoie combine synth pop with witch house – a song full of melancholy, decay and clear, dark elegance.
With ‘Stay Strange’, Blackbook deliver a synth pop ballad full of 80s drama, powerful and emotional – except for the saxophone bridge.
With ‘Naked On My Own’, Sweden's The Guilt deliver an uncompromising electroclash statement full of punk energy.
Moons In Retrograde combine dark pop and gothic on “Mirror Obscura” to create an intricate, multi-layered slow burner.
In ‘N.Q.N.K.’, Starsign combine melancholic synth pop with aggressive tension and an elegant sepia video.
