The Fever' is the new infectious song by the Swedish band 'Seadrake'. As vocal support they got 'Dorian E' (Dear Strange and Loveblind).
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JoinedNovember 15th, 2010
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I am the founder and main author of the international synth pop magazine Electrozombies, which was founded in 2010 as a niché music video blog for synth pop and genre-related music. Since my childhood I have been a devotee of melancholic, gloomy electronic music. Started in the late 70s with minimal electro band Kraftwerk and become a real synth pop fan through Depeche Mode's hit 'People Are People' in 1984.
With my knowledge being in the synth pop scene since the early 80s, I write and publish all about this music genre to keep the scene alive and to develop it further. Read all details here: The story behind the origin of Electrozombies.
Official music video 'Scars' performed by 'This Eternal Decay' taken from the album 'Nocturnæ'.
Official music video 'Yes' performed by the Australian artist 'Goo Munday'.
The US band 'The Kolour Kult' show impressively with their song 'Something Blue' how modern synthwave has to sound.
Official music video 'Black Flame' performed by 'Arkham Sunset' taken from the EP 'The Noise Divine'. Video produced by Ron Mason Gassaway.
With a cool machine-like sound and minimalist precision, 'ee:man' release their song 'Stay n Fight'. Every beat hits the nerve like a hammer blow.
The song 'Circles' by the US band 'The New Division' deals with the serious topics of life, death, isolation and the hope for a better life.
Official music video 'My Darkest Memory' performed by 'Blackbook' taken from the album 'Confessions Of The Innocent'.
Official music video 'Entertainment' performed by 'Reakton' taken from the concept album 'micro:macro:nano'.
The song 'Relax' by the Icelandic band 'Ultraflex' is indeed a very relaxed synthwave / synth pop song taken from the album 'Visions of Ultraflex'.
Official music video 'Hope and Fear' performed by 'Rue Oberkampf' taken from the album 'Liebe'.
With 'Influential Girl' the US band 'Young-Borra' digs deep into the 80s synthesizer fundus. From the typical scifi bassline to hand claps.
