A fantastic addition to the synth-pop world: Computerbandit x Contrapop deliver a rich sound and analogue nostalgia with “All That I See”.
PositionFounder
JoinedNovember 15th, 2010
Articles5,095
Comments78
I am the founder and main author of the international synth pop magazine Electrozombies, which was founded in 2010 as a niché music video blog for synth pop and genre-related music. Since my childhood I have been a devotee of melancholic, gloomy electronic music. Started in the late 70s with minimal electro band Kraftwerk and become a real synth pop fan through Depeche Mode's hit 'People Are People' in 1984.
With my knowledge being in the synth pop scene since the early 80s, I write and publish all about this music genre to keep the scene alive and to develop it further. Read all details here: The story behind the origin of Electrozombies.
Official music video "In My Blood" performed by "Beyond Obsession" taken from the same titled album "In my Blood".
Radical Bicep catapult us straight into the 80s with ‘Afterimage’. Find out all about the rich sound and vibe in my review.
With “Holy Water”, Czarina delivers a modern mix of dark wave and synth pop. An epic gothic journey with a hypnotic mantra chorus.
Official music video "Free to Love (Feat. Nile Rodgers)" performed by "Duran Duran". Director: Jonas Åkerlund.
Official music video "Torture Me" performed by "Corpse Dust" taken from the album "Suffer".
Official music video "Knightmares" performed by "KNIGHT$" taken from the album "Supernatural Lover".
Official music video "Human Force (Feat. Cold Cave)" performed by "Buzz Kull" taken from the EP "Deep Hate". Music video by Travis Shinn and Jeremy Danger.
Glass Spells singer Tania Cassette releases her first solo song, "The Flame": gentle, modern 80s-infused dark pop.
Official music video "Dracula's Poison" performed by "Midnight Poetry" taken from the album "Dive Into The Darkness".
Gloomy Dark Wave meets Witch House vocals: Read all about ‘Cold Breath’ by Celestial Hex and their brand-new mini-album ‘Nightshades’.
