Czarina – Exoskeleto

Dark echo from the future

Czarina - Exoskeleto (Cover artwork)Official music video "Exoskeleto" per­formed by "Czarina". In Czarina's music­al uni­verse, where elec­tron­ic sounds paint dark vis­ions, "Exoskeleto" stands as a monu­ment­al work that not only touches the bound­ar­ies of dark pop and dream pop, but boldly crosses them. With roots in Spain, the song weaves a dysto­pi­an mood as deep and unfathom­able as the night-time streets of a futur­ist­ic metropolis.

The intro, a mas­ter­ful weave of elec­tron­ic tones, could have been bor­rowed straight from a dysto­pi­an sci-fi film and imme­di­ately exposes the listen­er to a sus­pense­ful atmo­sphere. The 140 BPM beat that fol­lows tears along with an intens­ity that inev­it­ably puts the song into "dance mode", leav­ing an almost men­acing sense of fore­bod­ing. This music­al onslaught com­bines with the vocals and sound, remin­is­cent of the sim­il­arly dysto­pi­an tracks of "Black Nail Cabaret", to cre­ate a power­ful audio-visu­al experience.

Lyrically, dysto­pia per­vades the entire work, with visu­al echoes of H.R. Giger's work cre­at­ing an unmis­tak­ably bleak set­ting. Czarina suc­ceeds in trans­port­ing the listen­er not only acous­tic­ally but also men­tally into anoth­er world in which the bound­ar­ies between music and paint­ing become blurred.

"Exoskeleto" is there­fore a song that per­fectly cap­tures the dysto­pi­an long­ing and dark beauty of elec­tron­ic music and the goth­ic scene. It is a har­mo­ni­ous and homo­gen­eous con­tri­bu­tion to a music­al world that longs for depth and mean­ing – a true mas­ter­piece for dark times.

This song is part of our Spotify playl­ist ‘New Synth Pop Songs 2024‘. The playl­ist is updated con­tinu­ously. Follow this playl­ist now and don’t miss any of the latest synth pop hits in 2024.

Listen to "Czarina – Exoskeleto" on Spotify

Listen to "Czarina – Exoskeleto" on Bandcamp

Lyrics of "Czarina – Exoskeleto"

Some things are too hard to let go
Reminders of all the pain of my own growth
Bleeding from the knives they drove into my sides
Treading on the brink of my own death inside
Shedding all my skin to become alive
Unleash the creature for anoth­er fight

Biomechanical
On the prowl like an animal
Exoskeletal celestial
Anomaly from the skies

Some things are too hard to let go
Reminders of all the pain of my own growth
Gripping all the grudges driv­en to my sides
Burning from the fires scorch­ing deep inside
Shedding all the pain to become alive
Unleash the creature for anoth­er fight

Biomechanical
On the prowl like an animal
Exoskeletal celestial
Anomaly from the skies

Biomechanical
On the prowl like an animal
Extraterrestrial phenomenon
Calamity from the skies

Exoskeleto
Biolumina
Anima machina

Biomechanical
On the prowl like an animal
Exoskeletal celestial
Anomaly from the skies

Biomechanical
On the prowl like an animal
Extraterrestrial phenomenon
Calamity from the skies
Calamity from the skies
Calamity from the skies
Some things are too hard to let go

Czarina about "Exoskeleto"

Galicia, Spain-based New Yorker and Progressive Darkwave and Dark Ethereal artist, CZARINA (styled as C Z A R I N A on all plat­forms) unveils high-octane Gothic Sci-Fi and Dark Pop track entitled Exoskeleto via German goth­ic label darkTunes Music Group. Exploring themes of pain, death, rebirth, retri­bu­tion and gen­er­at­ing a new kind of anom­al­ous power and strength for anoth­er round in the battle aren­as of life, the track first surges omin­ously with tense sound­scapes that harken both eth­er­e­al and extra­ter­restri­al life­forms before drop­ping into massive beats, acid basses, giant waves of high-voltage metal­lic machinery and mys­ti­fy­ing goth­ic choir chants.

CZARINA first laments at her tri­als before com­bust­ing into her sig­na­ture power­ful, tan­tric wails seeth­ing with emo­tion, while sum­mon­ing a cer­tain bio­mech­an­ic­al and exo­skelet­al astral anom­aly. The track man­euvers into an arpeg­gia­ted and orches­tral sec­tion with a haunt­ing full choir and cres­cendoes into one final blast before end­ing in a dra­mat­ic, somber resolve. Exoskeleto reveals CZARINA’s next stages in her own artist­ic evol­u­tion that com­bines all of her sig­na­ture heavy-hit­ting yet eth­er­e­al ele­ments with her pas­sion in fus­ing synth, elec­tron­ic and organ­ic sounds, orches­tral arrange­ments, dynam­ic com­pos­i­tions, for­mid­able vocal prowess, and art­ful lyr­i­cism. Exoskeleto is the new single from CZARINA’s upcom­ing third record due Fall of 2024.

The track was writ­ten, pro­duced, and recor­ded by the artist at her sea­side home along Costa Da Morte in Galicia, Spain which she often refers to as her muse and inspir­a­tion for all her cre­at­ive work since mov­ing dur­ing the Covid-19 pan­dem­ic. She leans on Von Hertzog (VHxRR, Information Society) of The Social Club (Reading, PA) who served as co-pro­du­cer, mix­ing and mas­ter­ing engin­eer on the track, and who has been provid­ing addi­tion­al pro­duc­tion input to har­ness and fin­esse the very vast dynam­ics and exper­i­ment­al nature of CZARINA’s sound since they star­ted work­ing togeth­er in her sopho­more record, Arcana. Exoskeleto the music video was cre­ated by CZARINA and her hus­band and cre­at­ive part­ner DeadlyKawaii, under their two-man pro­duc­tion house called The Kitsunés. Exoskeleto will be avail­able on Bandcamp and all digit­al and stream­ing plat­forms on March 29.

The single release for Exoskeleto also includes CZARINA’s cov­er of A Perfect Circle’s incen­di­ary clas­sic, The Outsider. The music video will be fea­tured exclus­ively on darkTunes YouTube chan­nel. CZARINA is Vero Faye Kitsuné, a Filipino-American synth and elec­tron­ic rock musi­cian, pro­du­cer, song­writer, multi-instru­ment­al­ist, film­maker, visu­al artist, and an esteemed long-time cre­at­ive dir­ect­or and fash­ion industry vet­er­an ori­gin­ally from New York City. Known for her multi-dis­cip­lin­ary approach, CZARINA com­bines tran­scend­ent­al­ism and anim­ist mys­ti­cism with her love for futur­ist cul­ture, bio­mech­an­ics, art and ancient his­tory, myth­o­logy, folk­lore, and her Budo mar­tial arts training.

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