Between darkness and danceability: A personal look at âDarknessâ
The intro comes with a dark, almost stoÂic, monoÂtonÂous bass beat. To my ears, it sounds unusuÂal at first â no sudÂden effects, no draÂmatÂic build-up. Instead, an elecÂtronÂic web slowly spreads out, becomÂing clearÂer, more strucÂtured and more excitÂing with each layÂer. What grabbed me right away was the deep, almost mournÂful vocals. They don't sound artiÂfiÂcial, but strangely soothÂing, almost familÂiÂar â as if someone were quietly telling you about a place you've visÂited before.
What I find excitÂing is that although the song has a cerÂtain monoÂtony to it from the start, the mood changes subtly with each new secÂtion. It remains dark, but not lifeÂless. The soundÂscape becomes increasÂingly brightÂer without ever losÂing its underÂlyÂing mood â and at some point, almost imperÂceptÂibly, Darkness even becomes danceable.
I'll be honÂest: for me, this isn't a revoluÂtion in synth pop or dark wave. But that's not what it's supÂposed to be. For me, Darkness is a solÂid track when I want to switch off â a song that doesn't shout loudly, but tells a story with subtle details. Sure, there's room for improveÂment, espeÂcially in terms of variÂation. But still: Clean Beast shows here that someÂthing beauÂtiÂful can emerge even from darkness.