A flashback to New Beat

A flashback to New Beat

Before Techno and Eurodance was New Beat

The 80s were par­tic­u­larly mul­ti­fa­ceted in one music­al aspect. The syn­thes­izers, which were becom­ing more and more afford­able, allowed many artists to exper­i­ment with music. As a res­ult, the most diverse music genres developed in a short time. Among oth­ers New Beat or also Acid House. I can ima­gine how all the haters want to tear the list apart with phrases like "This is not a New Beat you fool" or "This track has noth­ing to do with Acid House". However, it has to be said that the trans­itions between these two genres, without any tech­nic­al gim­mickry, are very flu­ent and almost seamless.

A definition of New Beat

Wikipedia to New Beat: "New Beat is a style of Belgian under­ground music and sub­cul­ture that fused techno and acid genres that flour­ished in Western Europe dur­ing the late-1980s. It is a type of elec­tron­ic dance music and elec­tron­ic body music that was played at a slower speed and influ­enced the evol­u­tion of indus­tri­al dance music.". Read the full Wikipedia art­icle to New Beat.

Wikipedia to Acid House: "Acid House (also simply known as just "acid") is a sub­genre of house music developed around the mid-1980s by DJs from Chicago. The style was defined primar­ily by the "squelch­ing" sounds and deep bass­lines of the Roland TB-303 elec­tron­ic bass syn­thes­izer-sequen­cer. Acid House spread to the United Kingdom and con­tin­ent­al Europe, where it was played by DJs in the Acid House and later rave scenes. By the late 1980s, Acid House had moved into the British main­stream, where it had some influ­ence on pop and dance styles.". Read the full Wikipedia art­icle to Acid House.

My personal past with New Beat music

I came into con­tact with elec­tron­ic music at an early age. At that time I always moved some­where between Kraftwerk, Depeche Mode and The Cure. But espe­cially as a teen­ager you're not really music­ally estab­lished yet and of course you're quickly music­ally impressed and influ­enced by new impres­sions. So it happened that from the mid 80s to the early 90s elec­tron­ic music with cool samples and new son­ic mixes of the genres fas­cin­ated me. And I'm not ashamed to say that I also bought some Singles and Maxis of the music videos lis­ted below.

The older vis­it­ors might know some tracks from the list, at least I hope so. The young­er ones get les­sons in the "cool scene" of club music of that time. Even if I liked some tracks, I nev­er belonged to this scene. Therefore the songs were nev­er dark and ser­i­ous enough for me. But it was new and so dif­fer­ent and for a short time it feels like the future of music.

Page divider - Thunderbolt 01

Let's go on with the list "A flashback to New Beat"

1. Krush – House Arrest (1987)

Official music video 'House Arrest' per­formed by 'Krush' released on the Single 'House Arrest (The Beat Is The Law)' (1987).

The single climbed to num­ber 3 in the UK and spent two weeks at num­ber 1 in Switzerland in early 1988. Behind Krush stood the Sheffield pro­du­cers Mark Brydon and Robert Gordon. Brydon later found far big­ger suc­cess as the pro­du­cer of Moloko with Róisín Murphy, while Gordon co-foun­ded Warp Records, which makes “House Arrest” the one and only big Krush hit.

Page divider - Thunderbolt 02

2. Coldcut – Doctorin' the House (Feat. Yazz & The Plastic Population) (1988)

Official music video 'Doctorin' the House (Feat. Yazz & The Plastic Population)' per­formed by 'Coldcut' taken from the album 'What's That Noise?' (1989).

The track reached num­ber 6 in the UK in March 1988 and intro­duced the sing­er Yazz to a wider audi­ence, only months before Coldcut pro­duced her chart-top­per “The Only Way Is Up”. In 1990 Matt Black and Jonathan More foun­ded their own label Ninja Tune to escape the cre­at­ive con­trol of the majors, and the label is still sign­ing acts like Bicep and Helena Hauff today.

Page divider - Thunderbolt 03

3. Taste Of Sugar ‎- Hmm Hmm (1989)

Official music video 'Hmm Hmm' per­formed by 'Taste Of Sugar' taken from the album 'Tuut..!' (1989). This track was also part on the com­pil­a­tion 'Belgian Dance Classix 2'.

Taste Of Sugar were a Belgian New Beat group formed in 1987 by Roland Beelen, Johan Casters and Herman Gillis, and “Hmm Hmm” remained their best-known track. S’Express mas­ter­mind Mark Moore once noted that they used some of the same sounds and samples as his own band, includ­ing the Karen Finley sample. The same trio also worked as the pro­du­cer team Morton, Sherman and Bellucci, which you will meet again at num­ber 17.

Page divider - Thunderbolt 04

4. S'Express – Theme from S'Express (1988)

Official music video 'Theme from S'Express' per­formed by 'S'Express' taken from the album 'Original Soundtrack' (1989).

Written and pro­duced by Mark Moore and Pascal Gabriel, the single topped the UK chart for two weeks in April 1988 and reached num­ber 2 in West Germany, France and the Netherlands. The track is built on ele­ments of Rose Royce’s “Is It Love You’re After” and counts as one of the earli­est hits of the new sampling cul­ture. Moore even recor­ded his own homage to Belgian New Beat with the 1989 B‑side “Have a Nice Day”.

Page divider - Thunderbolt 05

5. OK – Okay (1987)

Official music video 'Okay' by German band 'OK'. The track is taken from the album 'Bang!' (1989). The band from Frankfurt, some­times also spelt O.K., reached num­ber 2 in Germany in 1988 with “Okay!” and topped the Austrian chart. Follow-up singles like “E‑D-U-C-A-T-I-O‑N” and “The Wild, Wild, Western” nev­er came close, so for me this is a text­book one-hit won­der of the late 80s.

Page divider - Thunderbolt 06

6. Bruce & Bongo – Geil (1986)

Official music video 'Geil' per­formed by 'Bruce & Bongo' taken from the album 'The Geil Album' (1986).

Despite the German title, Bruce & Bongo were two Englishmen based in Germany, Bruce Hammond Earlam and Douglas “Bongo” Wilgrove. “Geil” topped the Austrian chart in 1986, while The Geil Album was a com­mer­cial fail­ure by com­par­is­on. Internationally they are regarded as a one-hit won­der, and in 1994 Hammond co-foun­ded a pro­duc­tion com­pany that helped cre­ate sev­er­al European hits, includ­ing the Mark’Oh project.

Page divider - Thunderbolt 07

7. M|A|R|R|S – Pump Up The Volume (1987)

Official music video 'Pump Up The Volume' by 'M|A|R|R|S' taken from the Single 'Pump Up The Volume' (1987).

M|A|R|R|S was a one-off col­lab­or­a­tion between the 4AD acts A.R. Kane and Colourbox, and the name is an acronym of the people involved. The track spent two weeks at num­ber 1 in October 1987, even after Stock Aitken Waterman obtained an injunc­tion over a sample from their hit “Roadblock”. The lit­ig­a­tion that fol­lowed effect­ively ruined Colourbox’s career, which turned “Pump Up The Volume” into the only single the pro­ject ever released.

Page divider - Thunderbolt 01

8. Mysterious Art – Das Omen (1989)

Official music video 'Das Omen' per­formed by 'Mysterious Art' taken from the album 'Omen – The Story' (1989). The single was first released on 13 May 1989 and stayed at num­ber 1 in West Germany for nine weeks straight. With more than 400,000 cop­ies sold it was the most suc­cess­ful single in Germany that year, and the band toured as the open­ing act for Madonna’s Blond Ambition Tour in Germany. Producer Mike Staab later con­tin­ued the story with “Omen III”, which went to num­ber 1 in Germany again.

Page divider - Thunderbolt 02

9. Confetti’s – The Sound Of C (1988)

Official music video 'The Sound Of C' per­formed by 'Confetti’s' taken from the album '92…Our First Album' (1989).

The “C” stands for the club Confetti’s in Brasschaat near Antwerp, and the song star­ted as a mar­ket­ing stunt for the ven­ue with bar­man Peter Renkens as the face of the cam­paign. The video was shot on Antwerp’s main shop­ping street De Meir in front of pass­ers-by. The single sold 165,000 cop­ies in Belgium and 500,000 in France. Unfortunately, Renkens passed away in February 2023 at the age of 55.

Page divider - Thunderbolt 03

10. Bomb The Bass – Beat Dis (1987)

Official music video 'Beat Dis' by 'Bomb The Bass' taken from the album 'Into The Dragon' (1988).

Tim Simenon and Pascal Gabriel used pseud­onyms to make the record look like an American import, and it peaked at num­ber 2 in the UK in February 1988. The track is a col­lage of more than 50 samples over a pro­grammed drum pat­tern and bass­line. Simenon went on to co-pro­duce Neneh Cherry’s “Buffalo Stance” and Seal’s “Crazy” and, after Dave Gahan and Martin Gore asked him on board, the Depeche Mode album Ultra in 1997. Side note: This is my first self bought Vinyl Single.

Page divider - Thunderbolt 04

11. Silicon Dream – Albert Einstein (1987)

Musical per­form­ance of 'Albert Einstein' by 'Silicon Dream'. The track is taken from the album 'Time Machine' (1988).

Silicon Dream was the pro­ject of Munich pro­du­cer Klaus Munzert, foun­ded in 1987, and the single car­ried the sub­title “Everything is Relative”. His biggest hit was “Marcello the Mastroianni”, and the sound was close to OFF (Electrica Salsa) and 16 Bit, with whom Silicon Dream even per­formed live. That makes this the per­fect bridge to num­ber 18 on this list.

Page divider - Thunderbolt 05

12. Yello – The Race (1988)

Official music video 'The Race' per­formed by 'Yello' taken from the album 'Flag' (1988). I guess, this is the most fam­ous track in this list, right? Otherwise let me know in the comments.

Released on 11 April 1988, the single reached num­ber 7 in the UK, and the video was dir­ec­ted by Dieter Meier him­self. Meier also dir­ec­ted Alphaville’s “Big In Japan”, and German view­ers will know the track as the theme tune of the TV show Formel Eins from 1988 onward. The Swiss duo became a Top Ten act in sev­en coun­tries with this song and released their 14th stu­dio album in 2020.

Page divider - Thunderbolt 06

13. The KLF – America What Time is Love (1991)

Official music video 'America What Time is Love' per­formed by 'The KLF' taken from the same-titled Single 'America What Time is Love' (1991). This rework­ing reached num­ber 4 in the UK and was the KLF’s final UK retail release, appear­ing there in February 1992, four months after its US release. Bill Drummond later revealed that Axl Rose was ori­gin­ally booked for the ses­sion but nev­er turned up, which is how Glenn Hughes got the job. Hughes remem­bers the video, shot on a boat at Pinewood Studios, as mind-blowing.

Page divider - Thunderbolt 07

14. The Shamen – Ebeneezer Goode (1992)

Official music video 'Ebeneezer Goode' per­formed by 'The Shamen' taken from the album 'Boss Drum' (1991).

The single entered the UK chart at num­ber 6 in September 1992 and reached num­ber 1 two weeks later, iron­ic­ally dur­ing the BBC’s drug aware­ness week, stay­ing there for four weeks. The BBC ini­tially banned it because the chor­us sounds like “E’s are good”. It was the join­ing of rap­per Mr C that took the Scottish band from under­ground acid house to inter­na­tion­al com­mer­cial success.

Page divider - Thunderbolt 01

15. Nomad – Devotion (1990)

Official music video 'Devotion' per­formed by 'Nomad' taken from the album 'Changing Cabins' (1991).

The band name is simply Damon spelled back­wards, after pro­du­cer Damon Rochefort, and the single cred­ited as Nomad fea­tur­ing MC Mikee Freedom reached num­ber 2 in the UK and num­ber 1 on the US Dance chart. The music video was dir­ec­ted by Jerome Redfarn. Rochefort later moved into tele­vi­sion and presen­ted the dance show BPM on ITV for two years.

Page divider - Thunderbolt 02

16. Technotronic – Pump Up The Jam (1989)

Official music video 'Pump Up The Jam' per­formed by 'Technotronic' taken from the same-titled album 'Pump Up the Jam: The Album' (1989).

The track opens the debut album Pump Up the Jam: The Album, but the woman you see in the video is the Congolese mod­el Felly Kilingi, lip-syncing as a mar­ket­ing tac­tic. The real voice and lyr­ics came from Ya Kid K, who made her video debut with the fol­low-up “Get Up! (Before the Night Is Over)”. Belgian pro­du­cer Jo Bogaert had already scored a few hits at home before this track finally took him international.

Page divider - Thunderbolt 03

17. Erotic Dissidents – Move Your Ass (1989)

Musical per­form­ance of 'Move Your Ass' by 'Erotic Dissidents'. The track is taken from the album 'Naked Angel' (1989).

Erotic Dissidents were once more the trio Morton, Sherman and Bellucci, this time with Nikkie Van Lierop, and both “Move Your Ass And Feel The Beat” and “Shake Your Hips” charted in many coun­tries. Van Lierop later released music as Jade 4U. Their live shows were notori­ous, as the sing­er reportedly used a sex toy instead of a microphone.

Page divider - Thunderbolt 04

18. 16BIT – Where are you (1986)

Official music video 'Where Are You' per­formed by '16BIT' taken from the album 'Inaxycvgtgb' (1987).

Behind 16 Bit were Luca Anzilotti and Michael Münzing, band­mates of Sven Väth in OFF, and it is Väth him­self who dances through the medi­ev­al-look­ing video. Münzing and Anzilotti later formed Snap!, so this track is a small piece of Eurodance pre­his­tory. Väth, of course, became one of the most fam­ous techno DJs in the world.

Page divider - Thunderbolt 05

19. Man 2 Man Meet Man Parrish – Male Stripper (1986)

Official music video 'Male Stripper' per­formed by 'Man 2 Man Meet Man Parrish' (1987).

Brothers Miki and Paul Zone came from the New York glam punk band The Fast and teamed up with elec­tro pro­du­cer Man Parrish for this Hi-NRG clas­sic. After a mod­est first run in 1986, the single returned in early 1987 and spent five weeks in the UK Top 10, peak­ing at num­ber 4, fol­lowed by a Top of the Pops appear­ance in March. Miki did not live to see that suc­cess, as he died on 31 December 1986, and Paul con­tin­ued as Man to Man with a Grace Jones cover.

Page divider - Thunderbolt 06

The path for Techno and Eurodance is paved

The early 90s was the end of New Beat and Acid House. The elec­tron­ic music of the 90s was over­taken and dom­in­ated by Techno and Eurodance. I also think that the 90s was a dark dec­ade for dark Synth Pop and Dark Wave. It degen­er­ated more into a fun soci­ety where ser­i­ous issues played a minor role. There are many reas­ons for this. Probably the open­ing of the East, the German reuni­fic­a­tion, the rejec­tion of the 'No Future' move­ment of the 80s and many more. But to philo­soph­ize about this would go bey­ond the scope of this article.

Help us to make the next list

If you were inspired by this art­icle and know also some New Beat or Acid House songs that I don't men­tioned here, let us know and use com­ment sec­tion below or get in touch with us via E‑Mail!

Do you would like to see a sim­il­ar art­icle about anoth­er genre? Same here, just get in touch with us.

Subscribe Electrozombies YouTube channel now

The whole playl­ist 'A flash­back to New Beat' is also avail­able on the offi­cial Electrozombies YouTube chan­nel. Subscribe to our YouTube chan­nel now

 

 

Most popular posts of the last 30 days

Founder
  1. There's a lot of much dark­er New Beat.

    InD – Virgins In D‑Sky's
    Public Relations – Public Relations
    JC Project – Andromedia
    HN03 – Doughnut Dollies
    Microchip League – Satellite
    Rhythm Device – Acid Rock
    Central Unit – Computer Music
    L&O – Even Now
    Metropolis – Poseidon
    Mental Overdrive – Theme of St. Baafs (The Bells)

    Even Depeche Mode had a drk­er New Beat track "Never Let Me Down Again (The Aggro Mix)"

    1. Thank you very much for shar­ing this tracks with us and our vis­it­ors. As a big Depeche Mode fan I know the track 'Never Let Me Down Again (The Aggro Mix)' of course. But I nev­er saw it from the point of view of "New Beat". Now that I'm pay­ing atten­tion to it I have to say, yes there are indeed "New Beat" ele­ments. Thanks for this eye opener.

      1. NP! I adore New Beat. Coming up in the G/I scene in the late-90's, I always pre­ferred dan­cing to the more mid-tempo EBM music, and New Beat is per­fect for that! 

        Here's a few more I picked up recently:

        Traxx – Malfunction
        Plastic* – Slave To The Beat (*Plastic Bertrand solo)
        Kings of Agreppo – Agreppo
        Jade 4U – That Boy (solo pro­ject of Lords of Acid's singer)
        Tribe 22 – Aciiiiiiied-New Beat (this one just slays)
        Boy Toy – Touch My Body
        101 – Rock to The Beat
        Major Problem – Acid Queen
        Public Relation – Eighty Eight

        I'm still find­ing new cuts all the time too! Gotta love how bot­tom­less a lot of genres are, when you take the time to dig in them! :D

        And on a com­pletely unre­lated note, I highly recom­mend The Shamen's first album "Drop", it is not New Beat, Acid House, or any­thing close to that. But it is a ser­i­ously well pro­duced homage to late 60's dark-Psychedelic Rock.

Your email address will not be published. Required fields are marked *